1965 - 1966
1 Jan 1970 01:00 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
michael_gothardFrom: TV Times: 8 February 1973
[Herostratus] brought Gothard approval from the critics, but no actual work. For 18 months - "a period too depressing to think about" - he did odd jobs and went intermittently on the dole. It was this taste of unemployment that determined his practical attitude to his profession.
"I was involved in helping to get the very first lunchtime theatre off the ground. It was a great experience but there was absolutely no money in it."
From: Petticoat interview 6 October 1973
“About a year and a half passed between my first important film part in Herostratus and my next big break – Out of the Unknown – a television series.” (He appeared in the first episode of season 2: The Machine Stops.")
In 1966 Michael appeared in the "The Spotlight" casting publication for the first time.
He does not seem to have had an agent, as interested parties were referred to the publication itself for contact information.
This was the photo used: taken in 1965 by Graham Attwood.
[Herostratus] brought Gothard approval from the critics, but no actual work. For 18 months - "a period too depressing to think about" - he did odd jobs and went intermittently on the dole. It was this taste of unemployment that determined his practical attitude to his profession.
"I was involved in helping to get the very first lunchtime theatre off the ground. It was a great experience but there was absolutely no money in it."
From: Petticoat interview 6 October 1973
“About a year and a half passed between my first important film part in Herostratus and my next big break – Out of the Unknown – a television series.” (He appeared in the first episode of season 2: The Machine Stops.")
In 1966 Michael appeared in the "The Spotlight" casting publication for the first time.
He does not seem to have had an agent, as interested parties were referred to the publication itself for contact information.
This was the photo used: taken in 1965 by Graham Attwood.